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Soviet Cinema and Montage Free Essay, Term Paper and Book Report

A certain kind of inspiration must be born of a time in which one's country is heading into a brave new world. Nothing should ever be as it was and the future is as expansive as all of Russia itself. In the time of revolution - the late teens and early twenties - Soviet cinema established itself as a unique entity in the mass of national cinemas. Its innovation was stepping away from common narrative structure and adapting what has come to be called "Soviet Montage". This new theory of editing was invented by Sergei Eisenstein and then adopted by a slew of other Russian filmmakers. Eisenstein, however, was the one who realized its potential and first put it to work to make the people in the audience think whatever he wanted them to think. Educated as an engineer, Eisenstein enlisted in the Red Army at 19. After building bridges and digging trenches, he got into designing propaganda posters and it was the idealism of propaganda that would serve as the focal point of Eisenstein’s montage work. Lenin himself stated “The cinema is for us the most important of the arts.” Only cinema......

Word Count: 845
Page Count: 3.3  (250 words a page / double spaced)


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