By Michelangelo Merisi da Caravaggio (1571-1610) David with head of Goliath oil on canvas. And By Titian 1554 This outcome focuses on using the interprivate framework to respond critically to artworks. The outcome helps me to understand on viewing the two different aspects of the meaning and expressing the symbolism as well as a historical framework to the paintings from the 1600s to the 1900s. I would be outlining the two main interpretations of the paintings from the 1600s and 1900s of the symbolism and the historical background that they both express. Caravaggios painting expresses the emotions and intentions though tone of light and dark. However the painting of David with head of Goliath has a dark tone throughout the whole painting. It mostly is surrounded in an inky black background that hides the forms in dark shadow. A sense of a dramatic contrast has been created by an focussed spotlighting effect, which picks up the paintings key elements and projects them forward out of the shadow and into the bright glare of light. Closely at the left arm of the boy h......

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